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for violoncello and piano. Preface - Notes on interpreation - Sonat, op. 42 - Sonata, op. 89 - Sonata, op. 238 - Critical NotesHaving been the conductor of the Leipzig Gewandhaus Orchestra for many years, Carl Reinecke was one of the most important figures among musicians in the second half of the 19th century. His three sonatas for violoncello and piano are of amazing musical quality which puts them right up with sonatas of Johannes Brahms. It is all the more surprising, however, that a noteworthy urtext edition of these works did not exist up until now cellists often had to fall back on copies of the first editions only a