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This volume addresses the perverse as it relates to women in various cultural and literary contexts. The debate surrounding the pornographic is underscored by critical theories that address language, image and text as either gendered or neutral, author-based or the products of the history, and the contextualizing of powers of language itself. The essays in this book look at the notion of perversion as it impacts women through traditional and less traditional modes of questioning. The contibutors examine the implications of the cultural manifestations of the perverse contained within a particular piece of literature that they have chosen.
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