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This work encompasses aspects of feminist theory, post-structuralist materialisms, Victorian essays, and two prominent nineteenth-century women's novels (Villette and Middlemarch) to explore desire between women as a form of what the author calls 'spiritual materialism'. By engaging specific texts by Irigary, Bronte, and Eliot, the author explores a surprising homology that makes materialism a hidden God. That is to say, post-structuralist feminists are caught on the horns of Victorians' obsession: how to chart channels between realms commonly considered approachable and those considered finally inaccessible.
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