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Le Bestiaire D'Aristophane
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181 b
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Brekekekex, ko-ax, ko-ax! The croaking of the chorus of Frogs accompanying the katabasis of Dionysus, who travelled to Hades to find a talented tragic poet, is unquestionably Aristophanes’ best-known verse: the animals in his plays deserved to be the focus of a study aimed at revealing the ways in which they define the comic poet’s work to the point of symbolising it. Animals good to eat, zoomorphic choruses and animal metaphors and comparisons permeate his writings and his scenes, all vested as they are with a vital symbolic role in representing the human society of interest to the poet, and constituting the real key to the interpretation of his entire work. Whether it is a matter of this representative of ancient Comedy’s style and dramatic art, or of how he depicts the City-State through utopia and political satire, or of the dialogue that he maintains with literary tradition and his tireless meditations on the vocation of poet, there is not one single aspect of Aristophane’s body of plays which cannot be enhanced by a study of his bestiary.
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