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New Media in Black Women's Autobiography is about black women defining themselves for an audience that wants to do it for them. It considers how they adapt their writing to address the rise of visual news and how they adopt each new media form to assert their place as the rightful creators of their own image. Using 1980 as a starting point, Curtis explores how black women's insistence on writing embodiment into their narratives addresses and supplants images deployed against them. She argues that although many stereotypes rely on the notion that black female identity comes only from and through the body, emphasis on corporeality serves these women well. Joining somatic experience with complicated inner lives compels at least understanding and perhaps empathy. Privileging their experiences as the only road to truths about their lives succeeds across formats. Deployed by black women, new media facilitate well-executed, defiant, creative autobiographical gestures that should be considered among the most effective and innovative in their respective milieus.
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