Niet blij met je aankoop? Geeft niet! Je kunt artikelen tot 30 dagen retourneren
Met een cadeaubon zit je altijd goed. De ontvanger kan de cadeaubon voor alles uit ons assortiment inwisselen.
Tot 30 dagen retourrecht
This study investigates the relationship between the history of self-portraiture in German art and the historical question of acollective identity. I propose that the turn to the image of theself demonstrates a narcissistic position in which the subject attempts a transformation of its selfobjects, or figures which mediate a sense of identity. The book begins with the appearance of the autonomous self-portrait with the Renaissance artist Albrecht Dürer. It then looks at the Romantic artist Caspar David Friedricha nd his use of melancholy as both a sense of his own self, and German identity at the moment when a self-consciously collective identity was being posited in terms of a nation state. This problem of integrating a sense of self in German society is then examined in terms of trauma and the past following World War II. Various contemporary artists working with the self-image are presented, including Georg Baselitz, Anselm Kiefer, Katharina Sieverding and Jörg Immendorff.
Hoi! Ik ben Libroamiko, je boekadviseur.
Hoe kan ik je helpen?